Once again, sincere thanks to Chris Bishop for his website which allows us all a wander down memory lane. Can you reply to this with an e-mail address and I will contact you.Hope to hear from you, Regards, Jim Eaton. Theres 3 of us Monotones still alive and kicking ( rocking ? ) BW Mick. And I pressured (??) An accomplished naturally talented drummer and a versatile vocalist. Though,seriously,I did lobby them to recognise the achievements of Garry Brooker,as they now have a new Music Department. The drummer and vocalist (also from Selmers) was John Bell. Tiffanys Club and Gullivers People chat. Its worth checking out his website on http://www.popset.com.au, Dont Worry Baby/ I Remember. We used to buy speakers etc from an army surplus type shop and Petes dad would make the necessary enclosures. During the year Mark, Tony and myself were asked to appear as a holiday camp trio in a film being made at Elstree Studios. It features 9 tracks by The Monos, 6 by Mark and 12 of The Treetops. Their drummer was Brian Edgings ( originally with The Barracudas ) who joined us for a while before Pete Trout took over when we took the residency at a new Tiffanys in Wimbledon. To say this song has charm would be an understatement, even more so if youve seen Seven Up. 'Three young men with woman outside Tiffany's night club, (believed to be on Shaftesbury Avenue) London c.1974. The club closed in 1997 and was demolished 18 months later, with a block of nondescript red brick flats now on the site - called The . rutland regional medical center trauma level; ac valhalla store codes; kssa council of superintendents; oven baked french dip sandwiches; sammy gravano son; tiffany's nightclub wimbledon. Congratulations on your worthwhile and fulfilling career and we would like to read your book when you publish. 341,587,075 stock photos, 360 panoramic images, vectors and videos, Share Alamy images with your team and customers. I was fortunate to meet up with him again a few years ago at The Elms when he told me of Mark Lloyds passing that same morning. Subscribe. We met up with Rod Clarke, who replaced me temporarily in 1965 and he was able to put names to so many faces [ my memory fails me too often these days ]now where was I.ah yes, if you have time [ no excuse as youve retired ] check out his CV at http;//www.themoodyblues.co.uk/page46.htm..Im always impressed by those who made music their life. Nevertheless we sold a good quantity locally and were reasonably happy with our first attempt. Includes the latest news stories, results, fixtures, video and audio. he manages some of the greatist performers in australia. I was most interested to read your memories and the other contributions on this site. Going back to my nightmare.I have to confess that having written the words Somethings Hurting Me,I decided to leave the band in 1966 so that Rod could sing Rag Doll with you for the Tiffanys audition and I knew he wouldnt survive being called Un Garconand it would only be a matter of time.Well,in fact there was No Waitingand Brian came knocking on my door..to be continued !!! Hi Sue, Really nice to read your post and to refresh those memories of the end of term dances, and familiar names and places. Hi Alan, yes I do remember the great times we had at Tiffanys and Alexanders.if you remember it was myself and Nigel who nicknames you Fugley ( because you were too good looking! ) This includes a grant of 270,000 to Crisis to fund six new roles for a year, as the charity focuses on the urgent housing needs of people leaving temporary accommodation or made homeless as a . Worked for Ford Research and Perkins Engines in their Consultancy Dept. Jim broadcast two interviews with BBC Essex last September recalling the good old days in Southend and if you are interested he is doing another two on 11th and 18th June recalling events and recordings during our period as The Treetops. I do believe the origins of the Southend Sound led to evolution for later 70s musicians, such as Kursal Flyers and Dr Feelgood. Fridays and Saturdays featured an assortment of pop acts such as Wayne Fontana and the Mindbenders, Screaming Lord Sutch and the Savages etc. As you know I played with The Monotones / Treetops at The Elms and Tiffanys in Wimbledon in 1965/66 and Mark was a good friend and a great chap. I still live in Rayleigh and go past the Elms on many occasions and never fail to remember those days and nights. Train was late had to wait hour. An Atlanta-area strip club DJ hired his best friend to murder his wife, who was found dead in her suburban home with a young child straddling the woman's lifeless body . His talent undeniable His humour ceaseless His resistance immeasurable Towards his cruel illness, Thats robbed us of an artist A gentleman,a friend A memory thats endless, A song without end. Anyway I happened to find this site and could not beleive all the information etc which takes me back to that era. Hi Jim. Tim still plays in a duo and a group in the north of England..he also has played with the Commitments and the Hit men / Class of 64.I went on to become a founder member of the Scottish Ballet Company and toured the world dancing with Rudolph Nureyev and sharing roles with Margot Fonteyn! I did own all of their UK records but unfortunately dont have them anymore. Hello to Jim Eaton , Brian Alexander, Nigel Basham, Pete Stanley and Andy Rainbow. Radio one, was launched by Tony Blackburn, playing Flowers in The Rain by The Move Following a successful BBC audition we began recording shows presented by the following DJs. Id be very grateful for any information you can provide, and any and all information used will be acknowledged and credited. Sadly the opportunity never arose. Dinner at Tiffany's, by Ed Waiter, Editor of Cuisine In order to finance moving from Edinburgh to London, Ian was offered and took a job playing in an Edinburgh nightclub called Tiffany's. In contrast to all the bands he had been part of in the past, this was well paid! tiffany's nightclub wimbledon. For engagement guidance, contact a Diamond Expert. Phils elder brother was a Bluto lookalike, called Lionel. Behind every dream is the dreamer. Mark Loyd, 1964Postscript, February 2011: Jim Eaton: I have just returned from Australia where I caught up with Mark Loyd who was for many years part of The Monotones before he pursued a solo career. I now am resident in Spain. Incredibly, we would often record, mix and master a complete album for clients in a day! I bought a blanket coat in the sales for 20.00 = ok. (20.00 that was a heck of a lot of money then and oh how I remember that coat. Characters drink and smoke in scene . During my blabbering apology, I asked him if he could play anything and he mumbled that he had once sung in a choir. Brian had struck a deal with Ted that the Monotones would rent the hall for a modest sum: and Ted would benefit from the bar take. See more. Mark Loyd (Nigel Basham) was the loveliest person one could meet. When we arrived on the first day, a very officious commissionaire at the studio gates, checked his artistes list and told us that we were male small partscertainly no good for our street credibility !! The small matter of transporting the heavy organ each night definitely had a big bearing on my decision! I was struck by the artwork and how creative it was then. At the time, there was no other rock n roll on locally so me and my girlfriend had to endure the Howard Baker Band just to get a short shock of rock n roll. The end result was a remarkable live cover of that difficult song, and we soon realised that other Mecca bands were coming to the club to hear us perform it. Anyway, you must be pretty ancient by now, did you stay with Julie? Thank you for any help you might be able to give, and look forward to hearing from you. Brian organised a regular Monday night gig in north London at a pub called The Sparrowhawk. Lionel became our Bouncer at the Elm for Thursday evenings. Of course I also caught up with Mark as I try to do most years. 666. I now recall cutting both sides as a demo in 1963 at the Regent Sound Studio in Londons famous Denmark St. (also known as Tin Pan Alley due to the large number of studios, record publishers and musical instrument shops. It was time to find another place to rehearse and learn new numbers. (Its not and never has been the Elms by the way). They certainly were fun times and I know sometimes you and my brother had your work cut out keeping out the un-desirables . Jonas Porst Public Relations jonas43@email.de 00491735722342, Hi Brian, its good to hear and remember all those times. Jim Eaton and Tony Edwards turned up at one of our gigs, and after auditioning the wall of sound, offered me a residency at Alexanders Club, playing four nights a week, sometimes five. This gave another string to our bow as I sang most of the current pop songs, our drummer Ron sang the Andy Williams type ballads, and Dave covered the soul and reggae. I ended up working there in the box office at Alexanders until 1976. So many of us have been driven nearly crazy for years trying to identify that song from that very (repetitive) scene. Following the release of California My Way in 1968 we did not release another record until Mississippi Valley in 1970. Hi Jim, I regret that I was too young to see the Monotones at the Elms, but I knew you from when I was a pupil at Southchurch Hall boys school. He was not only a great singer musician but had so many other talents. The Paramounts, of course: who totally eschewed whatever was In and continued with their focus on R & B. We were however, building on our success with Mecca, which resulted in the award of a number gold cups for best band on the circuit. It later became the Cat's Whiskers club, the Ritzy then Caesars Nightclub. More less. My days as an estate agent came to an end when we went to Tiffanys. Long time since we were at Westcliff High but I do remember you from the photograph and was pleased to hear that you enjoyed many successful years with The Mustangs. It was in 1965 that we released our final two records as The Monotones, No Waiting and Somethings Hurting Me. Amp on 11. Following our successful audition as The Monotones for the residency at the new Tiffanys in Wimbledon, the grand opening night was set for mid April 1966. 80's teen star Tiffany is still on the road singing her hits . 152. She destroys her apartment and throws her cat against the wall. How memory plays tricks on us all. Firstly, its great to see some comments relating to the band. I then started to go to Alexanders which was a reataurant owned by Brian Alexander near Hampton Court and the group played there. Saturday night at the Kursaal that brings back memories. The reason being that Jim and I are meeting,this weekend, with a guy who is writing a book on the music of the 60s which will include bands that came out of Southend. As supporting band to the likes of Billy J Kramer, Brian Poole, the Platters, Kenny Ball, Acker Bilk and Chubby Checker we also got to play at some great venues such as the Savoy Hotel, the Cafe Royal and the Talk of the South. Thanks for the kind mentions on this page. Brian arranged for us to record What Would I Do which he had co-written with Pete at Pyes Marble Arch studios. Gary played a brilliant drum solo during The Shads number Little Bee which gave the rest of us a chance to get to the bar. It was a rich and much missed era of genuine live sound and great gigs, now smothered in miming, electronic sound manipulation and image above ability. Boy! Both bands were really great live acts but I think the Whirlwinds edged them out if you had to say who was the best. Hi De Hi Jim Well I think weve gone full circle.We started the band by rehearsing in Brians garage [his parents and gran must have been glad it was at the bottom of the garden!] Jan. 2010. I do remember you joining us for a few numbers and also working the door with my brother. Alas all long since sold to pay the mortgage! Places like Tiffanys are sadly missed but great memories. Nice to talk ! Blog Home Uncategorized tiffany's nightclub wimbledon. Although younger than the rest of us, Pete had gained experience with Denny Laine, and proved to be a superb drummer and an important member of the group. 1. Our stage was set into a cave with a door at the back leading to the dressing room. My father was a photographer in the 60s and captured many of the bands playing at the Odeon in Southend during 63-65, including the Whirlwinds. Billy, if you contact Chris, the webmaster, will pass along your info to me or Jill so Rod and I can get in touch. All Rights Reserved. The Whirlwinds guitarist Bert Pullen achieved great sounds from his Fender Jazzmaster and their singer Ron Gent did a mean impression of James Brown. He is still in the entertainment industry but retired from singing a few years ago. RocknRoll, I gave you all the (best) years of my life well yes. Our relationship with Andrew Loog Oldham seemed to fade after a while, but at least we had suits. 167. I used to run a little garage business in Southend and frequently attended The Elms and other venues where you played. kingston frontenacs box office; taylor crichton wedding; grant county, wa real estate; wholesale funeral flower supplies. Our equipment was very basic, I can remember using RAF throat microphones, which made us sound as though we were attempting to sing underwater. The bass player was a guy called Gus Chesney and the band played the local pub circuit, places such as the Elms Hotel in Leigh on Sea and the Cricketers at Southend. However, on the positive side that we can now afford reliable equipment we could only dream about in the early 60s, when much of our gear was home-made, including the bass guitar built by Pete Stanleys dad, which Mick subsequently replaced with the Burns Vista Sonic Bass he still plays today. Later, I opted out as my career was more important. Awesome. It was good to hear from you and so pleased you stayed in the business, I thought you would as you were so passionate about your music. Caesars, Streatham. Brian became the leader of this assortment of individuals by virtue of the fact it was all his idea to start with. At that time, a group that included Paul Dunning, Ian Middlemiss, Adrian Phillpot and myself formed a group called The Counts. Tony Wilson. We then decided it was time to move on. And years later in the early 70s, Gerry Poore, the Klansmens bassist came to work for me. Hi Graham. The song Book of love was indeed performed by The Monotones, and it featured in the film That will be the day starring David Essex and Ringo Starr. The link is quite amusing btw! He used to play a Hofner Club 60 (the one with the pearl inlays and the carved back). tiffany's nightclub wimbledonbest suny schools for physical therapy. The instrument was an unwieldy home-brewed effort as was the amp. Hello David Glad you found us and made contact . I still have some flyers for the St. Clements gigs, very sad but I seem to keep everything. I didnt get to Alexanders as by that time I was in the states. After years of living abroad I was so glad to be home and find this webpage about the Monotones as I often did a little spot with them at The Elms in 1964 under the name of Jimmy Dingo and later worked with Jim Eatons brother Freddie doing security work at venues.It has been a nice walk down memory lane for me and glad to know that some of us are still going. Thankfully, we could no longer be called Les Garcons and as there was an upstairs bar in the club called the treetop bar, we decided that The Treetops was an appropriate name. Even more, it looks like additional research confirms that you might be the only source on the Net that links these two together. Jubilation/The Shark Club. So Rock On Tommy!!! The Broadway Wimbledon was brought to a near halt in December 1952 for four days. Have had contact with Pete but love to hear from you. and The Elms was responsible for many a hangover!! Hanging around with bands in my German school days was logical. Im sure Gary Broker played keyboard with them at one time and played a superb version of Canned Heats On the road again and well remember Thurston Crane singing vocal after Basher a throat operation. The space at 3260 West 8th Street occupied the first floor of a three-story building. This was the first of four releases on the Pye label. It was back in Nineteen Fifty Eight , We became musical MONOTONES mates . you may have wondered what song the kids are dancing to during the party scene towards the end of the film. Would it be possible to have that transferred to a CD, as I know we would love to add it to our collection. I was invited to join The Treetops in the late-seventies as keyboard player. We were working four and sometimes five or six nights a week and still all had day jobs. When home I could not help becoming manager (in no way what that word implies today!) He used to be billed as Britains Strongest Teenager at local fetes and carnivals. 14. We new them well and played alternative nights at The Elms in Southend . All images supplied by Colin Bell. please send me details of where to send payment for cd of records made by yourselves. Every time I drive past the Elms I remember you all and the wonderful times we had. The new club, which was to be called Bentleys was based on the same successful format and again required a trio of musicians. I am Pat, was Harper,praps you remember me from Bridgewater Drive. R.I.P Bash and entertain the great manager in the sky with your rendition of Jezabel. i also went on several occasions to Treetops at Wimbledon I see you h ave come back to the Southend area I remember you working in an Estate agent in Rochford ? Im pleased to say that all members of the Mustangs are still alive and kicking a third playing reunion of the original band members was held at the Creeksea Ferry Inn on Wallasea Island on 14th August 2010 and, as Mick Reads indicated, our present Rayleigh-based band (called Full Circle for obvious reasons) which I joined as lead singer on my early retirement from international banking in 1995, includes two, and occasionally three, members of the Mustangs, Mick, Keith Chesher and myself. I stayed with it with some slight detours and I am still in it at 70. The Locarno Ballroom, Sauchiehall Street, photographed in 1930 when it was for sale. )Hopefully I shall be visiting family in Chalkwell and Leigh-on-Sea in the next few weeks and endeavor to take a nostalgic look down memory lane at the beecroft ( as long as they,re not hung in the ladies!! Its good to hear that you and others have enjoyed and made a success of their lives. I would not have traded it for anything else but often think of the early days in Leigh/Westcliff! Hello Roy Sorry Ive not replied earlier due to unexpected busy diary. The club closed its doors in 2014 and the building . Im meeting up with Jim to visit The Beecroft Gallery to see where they have hung them..probably in the loos, but if so hopefully the ladies !! I had their two U.S. 45s on Hickory and the killer final Pye one (Somethings Hurtin Me) and they were rocking. We used to see various acts appearing there. In 1964 this type of show was not recorded but went out live. Our visionary founder, Charles Lewis Tiffany . Another tale. The venue had also enjoyed success as a cinema but also in turn a skating rink and dance hall, until 1971, when the Gaiety ballroom closed and in 1972 it reopened as Tiffany's nightclub. Like many other contributors, I also attended Westcliff High School for Boys (from 1954-61) and, apart from being lead singer with the Mustangs from 1962-65 (see Mick Reads email of 11th January) Im also the older (and much smaller) brother of Lionel Thomas who, around the time he was a bouncer at the Elm Hotel with Terry Latter, was Britains strongest youth, with an 18 inch collar size and 46 inch chest. The Ivy League who were enjoying chart success with Tossing and Turning refused to go on stage if we sang any of their numbers which they had heard us rehearse. He had to be taken way in an ambulance as he didnt recover from the one short whack Lionel rendered. We also had a Vernon J. Smith who played the G-banjo in those days. Thats great to hear you had a reunion recently,its something we are unable to do following the sad loss of our drummer Gary,but Jim and I sat in with the band at my daughters wedding..brave of them!but I think the audience reaction,though biased,convinced them it was worth taking the risk. the band into perfoming Its Great which became the high spot of every performance. SUBSCRIBE. I was constantly on the lookout for another occupation, knowing that my good education at Westcliff High School or all my exam certificates would count for nothing at my age. setup with a Watkins Copycat tape driven echo device turned up to infinity such that it did not really matter what notes he played, it was just white noise at a volume setting that made your ears bleed. My fellow band-mate Jim is at present comprising a brief history of the band and should be posting that soon. It was at the height of the punk scene and accordingly all manner of weird looking people would turn up. He is frontman for a local group in Dorset who,s genre is punk/heavy metal/rap (OH,IT MAKES ME FEEL SO OLD!!! Tiffany Retweeted. So, it was Brian, Pete, Gary and myself who did the TV work during that year. The grass-court Grand Slam tournament, established in 1877, will take place at The All England Lawn Tennis Club in London, UK. We introduced a set of vibes to our three guitars and drums line-up. ada.lnk.to/Shadows. The next release,in 1968,California My Way brought the following review from a music critic..Ive heard more than enough about California..especially with my chances of ever getting there I wonder what he thought of the B side Carry On Living which was an homage to Whiter Shade Of Pale, with organ intro and the opening line Let the moon turn to cheese and the stars garden peas!I suppose he would have said our follow-up Mississippi Valley goes to prove the influence,on us,of America and its music.Which brings me full circle again as I also take the opportunity of congratulating Chris Bishop on his excellent website without which we wouldnt have discovered the release of When Will I Be Loved.